Environmental Sound Classification (ESC) is an active research area in the audio domain and has seen a lot of progress in the past years. However, many of the existing approaches achieve high accuracy by relying on domain-specific features and architectures, making it harder to benefit from advances in other fields (e.g., the image domain). Additionally, some of the past successes have been attributed to a discrepancy of how results are evaluated (i.e., on unofficial splits of the UrbanSound8K (US8K) dataset), distorting the overall progression of the field. The contribution of this paper is twofold. First, we present a model that is inherently compatible with mono and stereo sound inputs. Our model is based on simple log-power Short-Time Fourier Transform (STFT) spectrograms and combines them with several well-known approaches from the image domain (i.e., ResNet, Siamese-like networks and attention). We investigate the influence of cross-domain pre-training, architectural changes, and evaluate our model on standard datasets. We find that our model out-performs all previously known approaches in a fair comparison by achieving accuracies of 97.0 % (ESC-10), 91.5 % (ESC-50) and 84.2 % / 85.4 % (US8K mono / stereo). Second, we provide a comprehensive overview of the actual state of the field, by differentiating several previously reported results on the US8K dataset between official or unofficial splits. For better reproducibility, our code (including any re-implementations) is made available.

In recent years, progress in the Visual Question Answering (VQA) field has largely been driven by public challenges and large datasets. One of the most widely-used of these is the VQA 2.0 dataset, consisting of polar ("yes/no") and non-polar questions. Looking at the question distribution over all answers, we find that the answers "yes" and "no" account for 38% of the questions, while the remaining 62% are spread over the more than 3000 remaining answers. While several sources of biases have already been investigated in the field, the effects of such an over-representation of polar vs. non-polar questions remain unclear. In this paper, we measure the potential confounding factors when polar and non-polar samples are used jointly to train a baseline VQA classifier, and compare it to an upper bound where the over-representation of polar questions is excluded from the training. Further, we perform cross-over experiments to analyze how well the feature spaces align. Contrary to expectations, we find no evidence of counterproductive effects in the joint training of unbalanced classes. In fact, by exploring the intermediate feature space of visual-text embeddings, we find that the feature space of polar questions already encodes sufficient structure to answer many non-polar questions. Our results indicate that the polar (P) and the non-polar (NP) feature spaces are strongly aligned, hence the expression P ≈ NP.

Video Object Segmentation (VOS) is an active research area of the visual domain. One of its fundamental sub-tasks is semi-supervised / one-shot learning: given only the segmentation mask for the first frame, the task is to provide pixel-accurate masks for the object over the rest of the sequence. Despite much progress in the last years, we noticed that many of the existing approaches lose objects in longer sequences, especially when the object is small or briefly occluded. In this work, we build upon a sequence-to-sequence approach that employs an encoder-decoder architecture together with a memory module for exploiting the sequential data. We further improve this approach by proposing a model that manipulates multi-scale spatio-temporal information using memory-equipped skip connections. Furthermore, we incorporate an auxiliary task based on distance classification which greatly enhances the quality of edges in segmentation masks. We compare our approach to the state of the art and show considerable improvement in the contour accuracy metric and the overall segmentation accuracy.